As a writer, I protected the characters in The God of Small Things, because they were vulnerable. Many of the characters in The Ministry of Utmost Happiness are, for the most part, even more vulnerable. But they protect me. Especially Anjum, who was born as Aftab, who ends up as the proprietor and manager of the Jannat Guest House, located in a derelict Muslim graveyard just outside the walls of Old Delhi. Anjum softens the borders between men and women, between animals and humans, and between life and death. I go to her when I need shelter from the tyranny of hard borders in this increasingly hardening world.
— Arundhati Roy, Azadi: Freedom. Fascism. Fiction, Penguin Canada, Ch. The Language of Literature, p. 90, 2020