Once you see what kind of play is possible — play that extends and expands throughout a life, a remonstration against fear, against smallness, against pettiness, against sinecures — you want to see it everywhere.
You want everyone to be this privileged — privileged to make this choice to commit to play, to amplify play and life, and exist as an archetype showing a hundred-thousand others what’s possible as they sip burnt coffee and munch thick toast as a model of the 1964 Shinkansen struts around the shop on its tracks like Lady from Lady and the Tramp.
